In the age of increasing media consolidation and in an era where the traditional music industry is falling apart at the seams the 12th annual The Allied Media Conference here in Detroit is the perfect antidote. When AMC initially started, there were many in the social justice/activist community who concluded that they needed to have viable alternatives that they owned and operated to get their message across to the masses without the distortions, sensationalism and outlandish, ratings oriented spins associated with corporate media.
The slogan ‘Be The Media’ became a rallying cry for a media justice movement with AMC being an important pillar. What’s ironic is that early on, many of us saw artists as important allies to engage as a way to deliver messages to the masses. Our society was moving in a direction where celebrity culture was being highlighted resulting in more and more and those in the spotlight were sought after to use influence and be spokespeople for everything ranging from ‘Get Out to Vote’ campaigns to ‘Stay in School and Don’t Do Drugs’ campaigns. Artist became the new media so to speak with these celebrity driven campaigns reaching new heights in ’03 and ’04 when music moguls Russell Simmons and Sean Diddy Combs decided to get involved in politics and launched media campaigns of their own.
Simmons who had launched his Hip Hop Summit Action Network in June of 2001 held over 40 rallies leading up to the 04 elections that attracted tens of thousands of people. Combs in February ’04 while being honored at the Rock the Vote Lipert Awards, brazenly asserted that he would bring 20 million people to the polls and ‘kick George Bushes ass out of office and started his now infamous ‘Vote or Die’ campaign.
Both had moderate success with their efforts to impact the political arena, but the potential for artist to influence consumer behavior was not lost in corporate circles. Soon both commercial media outlets and record labels explored ways to use songs and artist to specifically market product, goods and services versus political agendas and ideology. This in turn lead to an even more increased tightening of radio and diminished opportunities for artists especially new and independent to be presented to the masses. This in turn left many recording artists in similar predicaments as their social justice activist counterparts. They little to no access to mainstream media.
By 2005 into 2006, 07 and 08 technology changed and helped level the playing field. Internet broadband became more accessible, Youtube was launched, MySpace, later Facebook and now twitter became staples in our lives. Internet Radio grew by leaps and bounds along with the introductions and eventual popularity of Apple Ipods Iphones and other media gadgets. Seemingly overnight the ethos of ‘Be the Media’ became more relevant to whole lot more people especially artists as well as the importance of having an Allied Media Conference.
In this clip below Bay Area organizer/artist Kiwi of the group Native Guns speaks about the ways he is trying to better his ‘media game’ and why he was attending AMC.
Many artists have come to understand that the industry has evolved so that they have to step up their efforts and Do for Self when it comes to promoting themselves and their craft. However, its been difficult for many to fully understand the end goal of a promotional campaign is NOT get airplay or TV time on a major outlet. Instead the end game should ideally be to forge stronger ties with their fan base and eliminate the media from acting as a middle man between artist and fan. Here at AMC I’ve attended workshops that gave people easy to follow, relatively inexpensive, direct steps to set up your own broadcast station, publish your own book and immediately sell them on places like Amazon, set up your own wireless network and how to work the law and current angles around public access TV. In 2010 any artist not doing his own media as a way to directly access and build with fans, is thye equivalent to a man still rocking Cross Colours and listening to 8 track tapes.
KG of Naughty By Nature
The importance of artist becoming the media was underscored on my way to AMC when longtime friends Treach, KG and Vinnie from the seminal rap group Naughty By Nature unexpectdly boarded my flight after being bumped from their original flight. Unfortunately they weren’t attending the AMC as they were en route to a show in a neighboring city. I wish they were because had spent the better part of the past two years perfecting their Do For self media strategy and their insight into the current major label playing field was panning out versus what they were doing on an indy level would’ve been priceless.
Vinnie explained that one of the reasons the group had been able to stay together for almost 20 years was because they had changed with the times and come to understand that many of their fans especially the younger ones want have ways to better engage the group. This means they have mapped out a long range game plan which includes them first being accessible on all the popular social networking outlets including Facebook, Myspace and Twitter. Second it meant using these mediums not to simply broadcast and make announcement but to actually engage their fans.
This might include doing everything from posting pictures of them with their fans, to directly answering emails and letters, posting up their thoughts on the message boards or having ticket giveaways and trivia contests.
Vinnie also noted that what may seem mundane to them is often important to their fans who want more than just a release date for a record or showtimes for a concert. ‘The want the whole Naughty By Nature experience”, he explained.
In this clip below..Treach talks about what went wrong with a show they recently did.
One of the innovative things they are doing is encouraging their fans to make videos of their songs. It’s something that was happening organically, but now they are going to take this to another level when they release a new song ‘Flags’ about stopping gang violence later on this summer. Here they are asking folks to send in pictures and video clips of them holding up their native flags. This will be woven into a video with the end result encouraging folks to build community and using the Naughty By nature community to drive home the message.
KG added that they take time to have conversations, share their thoughts on popular ‘water cooler’ topics and more importantly document via video both fun and challenging moments they are experiencing. On this particular day Treach was filming himself talking about the frustration they were feeling from the flight delays. Later on Vinnie and KG chimed in.
The Naughty By Nature crew operate from the understanding that when it comes to building with their fans it’s all about enhancing their relationship and in order to do that they remember at all times ‘Its the little things that count at the end of the day’.
Whenever we talk about Hip Hop and Politics it’s always done from the stand point with us going to the ballot box as the ultimate goal. Don’t get me wrong, voting and participating in the electoral arena are important, but Hip Hop is so much bigger and so is politics.
For many of us politics is more than us voting for a particular candidate or having a catchy slogan that everyone chants at a rally. At its core, politics is about Empowerment. It’s the social, economic and political control of our communities with voting and political education being among the important steps we take to reach that goal.
Hip Hop is more than a ‘Hot 16‘, ‘fresh new gear‘ or ‘swagger devoid of substance‘. At the end of the day Hip Hop like politics is also about Empowerment. It’s about giving voice to the voiceless and helping remove both ourselves and the community from a position of being maligned and irrelevant with respect to the larger society. Like voting, knowledge and understanding of self and our communities is critical.
It’s important for us to have a firm understanding about the political and social conditions that existed at the dawn of Hip Hop’s birth in the early 70s. It’s important to note that our communities were under serious attack and the expressions associated with Hip Hop was one way in which we responded and ultimately coped.
The pioneers to this culture came up seeing how the FBI under the leadership of J Edgar Hoover and his Cointel Program, went all out to destroy the symbols of resistence and liberation from earlier generations including; Malcolm X who was killed, Martin Luther King who was killed and the Black Panther Party which was destroyed with many of its members jailed. Among those incarcerated during the dawning of Hip Hop was Afeni Shakur and the mother of Tupac. Shealong with her Panther comrades known as the New York 21. were jailed in 1971 while she was pregnant with Pac
The Free Speech and Anti-War Movements were under attack with then President Nixon declaring an all out war on radical youth. Hippies and Yippies were two components of youth culture caught up in the cross hairs as were Black and Brown organizations like SNCC, the Young Lords and the Brown Berets.
During Hip Hop’s dawning, New York City was enduring serious financial hardship as it teetered on the brink of bankruptcy. That calamity was avoided when city leaders decided to keep the cops, the firemen and garbage workers and instead fired 15 thousand school teachers leaving many of us without after-school programs, extracurricular classes like music and art and our overall education, shortchanged on many levels.
All this was exasperated by greedy landlords in the South Bronx who were burning down tenement buildings almost every other day and collecting the insurance money. Their actions put an already stressed community into an economic tail spin as the Bronx became the worldwide symbol of urban decay.
While all this was going on, the NYPD seemingly working in tandem with President Nixon’s War on Youth had launched an all out war on the gangs that were starting to emerge in the Bronx. They even had a special gang division who were just as brutal back in the days as they are now. Compounding this war by the police, was the fact that many Black and Brown gangs formed because they found themselves under attack by white greaser gangs who didn’t take too kindly to the Bronx neighborhoods expanding its Black and Puerto Rican populations. Hence there was serious racial tension.
It was in this climate that Hip Hop emerged.
Charlie Rock an original Zulu Nation member and former Black Spade which was the largest gang in New York gives a run down of the political and social climate at the dawning of Hip Hop
The Spirit of Resistence: Hip Hop Has Always Been Political
Resistence-It’s a facet in Hip Hop that is not fully appreciated and reflected upon.
So again let me repeat… Hip Hop is resistence…It was us fighting back, standing up to and flipping the script on oppressive forces. Bootom line Hip Hop was always POLITICAL.
It was political when Afrika Bambaataa a former Black Spade warlord while attending Stevenson High School in the Bronx sought to escape gang life and formed the Organization which he later turned into the Mighty Zulu Nation. This was Hip Hop’s first organization which had among its goals to be a youth movement.
It was political when you went to hear Bambaataa spin at a park jam and he would rock Malcolm X speeches over breakbeats, reminding us what our political ideology should be.
It was political when Bam took the name ‘Zulu’ for his new organization after being inspired by the movie of the same name that depicted the South African Zulus fighting European colonizers. As the Zulu Nation grew, Bambaataa sought to instill pride and bring out the best positive attributes from the people around him. He did this by referring to Zulu members as ‘Kings’ and ‘Queens’. Bam once told me he did this to help raise people’s self esteem with the hopes that they would live up to the lofty titles he bestowed.
It was political when Bambaataa and other artists including Kurtis Blow, Kool Herc, Mele-Mel, Run DMC and the Fat Boys all participated in the Artist United Against Apartheid project where they recorded several songs for the Sun City album. Later Bambaattaa would tour Europe doing concerts to raise money for the ANC (African National Congress).
What was even more remarkable and definitely ‘political’ about Afrika Bambaataa who was dubbed the Master of Records, was his goal to turn his former gang comrades into a positive force. Bam has often remarked how and he and others would spend lots of time working and building with folks. He said it took a ‘whole lot of meetings and whole lot of patience‘ but eventually folks grew and got it together.
When he started touring Bam took many of the folks from his Bronx River neighborhood with him. He gave them jobs as roadies or as security. He did whatever it took to get them into new environments to help expand their horizons. He was essentially doing a prison to work program years before the city was doing one. If that isn’t political I don’t know what is..
Years later we would see a number of other Hip Hop artists, most notably MC Hammer a former High Street Bank Boy out of Oakland, do similar things. Hammer spent hundreds of thousands of dollars creating jobs within his company in to help facilitate the transition friends and people in his neighborhood would have to make when returning home from the pen.
Hammer took his desire to transform lives to another level when he approached local Bay Area urban radio station KMEL in the early 90s and convinced them to let him air a radio show he created called Street Soldiers. The show was designed to give folks who were ‘in the life’ (gangs drugs etc) an opportunity to get out. Gang members would call in and talk about the challenges they were facing and get feedback from their peers and community experts who would help them turn their lives around. Hammer hosted the show for the first several months and then turned it over to current hosts Joe Marshall and Margret Norris of the Omega Boys club.
The Geto Boys
In a similar vein we have the Geto Boys out of Houston. Everyone is familiar with many of their politically charged rap songs that dealt with everything from crooked police to shady DEA Agents to a President and his quest for war. We’re also familiar with the fact that Willie D used to do a political talk show on Houston radio.
However, what many people didn’t know was that the GB spent quite a bit of money paying legal fees and other court costs trying to get innocent people out of jail. Bushwick Bill and Scarface talked about this in great detail a few years ago when they came on our daily Hard Knock Radio show to protest the state of Texas executing Shaka Sankofa. If I recall correctly, Bushwick said they spent at least 200-250 thousand dollars in their efforts. That was another example of Hip Hop’s spirit of resistence.
Hip Hop Has Always Addressed Electoral Politics
Melle-Mel recorded a song called 'Jesse' praising Rev Jesse Jackson-It one of the earliest rap songs encouraging folks to Get Out and Vote
Moving into the arena of the Ballot Box, Hip Hop has been a participant in some form or fashion going all the way back to 1984 when Melle-Mel of Grand Master Flash & the Furious 5 recorded a song called ‘Jesse’ which highlighted ReverandJesse Jackson‘s historic run for the White House. The song also encouraged everyone to ‘Get out and Vote‘ while at the same time taking then President Ronald Reagan to task for the economic harm he was causing poor people around the country.
See Ronald Reagan speaking on TV, smiling like everything’s fine and dandy
Sounded real good when he tried to give a pep talk to over 30 million poor people like me
How can we say we got to stick it out when his belly is full and his future is sunny?
I don’t need his jive advice but I sure do need his jive time money
The dream is a nightmare in disguise (Let’s talk about Jesse)
Red tape and lies fill your for spacious skies (Let’s talk about Jesse)
But don’t think that DC just did it first (Let’s talk about Jesse)
There’s a lot of DC’s all over this universe (His name is Jesse)
Later in the song, Melle-Melsmashes on the former President for his initial refusal to meet with Jesse Jackson after he offered to go to Syria and help secure the release of Navy Lt.Robert O. Goodman Jr. who was being hostage after his plane was shot down when he ‘accidently’ flew into their airspace. Ironically even though the song was popular in clubs and at rallies, many urban station never played the record. Jackson himself, told me he didn’t hear the record until the some 10 years after it was recorded. Talk about a disconnect between generations.
In 1988Luther Campbell aka Uncle Luke of the 2 Live Crew teamed up with one of his artists Anquette to back former US Attorney General Janet Reno who at the time was a Dade County (Miami) District Attorney vying for another term.
Anquette did this incredible James Brown inspired song called Janet Reno where she praised Reno for her legal prowess and for going after dead beat dads. The song helped Reno win the election which in turn angered her opponent a lawyer by the name of Jack Thompson.
Thompson sought revenge on Campbell and launched a campaign where he pressured officials throughout the state including Governor Bob Martinez and Broward County sheriff Nick Navarro to go after the 2 live Crew for violating state obscenity laws. Eventually Navarro won a ruling that deemed the group’s album As Nasty As They Wanna Be asobscene.
Local record store owners were warned not to sell the album or they would be arrested. Many shop owners protested but didn’t dare test Navarro. Things came to a head when 2 of the 2 Live Crew members were arrested for performing songs off the album. This is turn set off a huge legal firestorm around first amendment rights.
Campbell, fought this case all the way to the Supreme Court where Harvard Professor Henry Louis ‘Skip’ Gates testified on behalf of the 2Live Crew. He noted that the salacious material they recorded was rooted in the oral/song traditions of African-Americans. The ruling of obscenity were overturned. Again, all this legal drama was caused by Luke’s subversive efforts and Anquette’s song which help turn the tide in an election.
Now we could do an entire book on Hip Hop and Elections where we’d have to cover everyone from Diddy‘s Vote or Die efforts to Russell Simmons Hip Hop Summit Action Network to the Hip Hop Political Conventions that took place in 04, 06 and 08. We’d also have to talk about the formation of Hip Hop Congress and the work they do on campuses around the country, the introduction of Rap Sessions and the political town halls they hold around the country, The League of Young Voters who put out Hip Hop oriented voting guides and recently has been doing work around the census and we’d have to cover Washington based Hip Hop Caucus that routinely engages elected officials on Capitol Hill and did the Respect My Vote Campaign in 08.
We would also have to talk about the recent victory of artist/activist Ras Baraka to the City Council in Newark. He used to serve as deputy mayor. We’d have to talk about the Honorable George Martinez who is currently serving as cultural Envoy, Hip-Hop Ambassador at U.S. State Department. Prior to him serving that position well known Brooklyn based freestyle artist Toni Blackman was this country’s Hip Hop Ambassador. I believe Martinez who also once served on the New York State Democratic Committee is currently running for Congress in NY’s 12th district.
Also running for Congressional office is author/ activist Kevin Powell. This is his second attempt and from the looks of things he stands a really good chance of beating the 28 year incumbent Edolphus Towns. The battle ground is in New York’s 10th district in Brooklyn
Lastly we’d have to talk about Dr Jared Ball out of Maryland who is best known for his political mix tapes ‘Freemix radio‘ ran for Green Party nomination for president in in 08 and long time activist Rosa Clemente who made history by securing the vice presidential nomination for the Green Party. She and former Congresswoman Cynthia McKinney had their name on the ballots in all 50 states and garnered impressive numbers even though their historic bid was overshadowed by Barack Obama’s run for the White House which definitely brought out and politicized many in the Hip Hop generation.
From Paris to Brazil Fear of a Politicized Hip Hop
Never in our wildest dreams did marginalized Black and Brown ghetto youth living in the South Bronx, one of the poorest most dilapidated regions of the country ever think this culture of music, dance and oratory expressions we call Hip Hop would mean so much to so many people all over the world. From the slums of Nairobi, Kenya to the streets of Paris, France to the favelas in Rio, Brazil to the hoods in Detroit, to the streets in Gaza, Hip Hop’s presence is not only felt, but has been a driving cultural force in resistence movements especially amongst the young, poor and oppressed. Much of this was inspired by seminal artists like Public Enemy, KRS-One, dead prez , X-Clan and 2Pac to name a few who embodied this spirit of resistence.
For those who think this is far-fetched, think back to 2005 when Paris erupted in riots and over 200 French politicians signed a petition calling for legal action against Hip Hop acts and their aggressive lyrics which they said incited the riots. Acts like Monsieur R and Sniper became the main targets and were actually brought up on charges and faced lawsuits because of their songs that encouraged resistence to the police and government oppression.
Although there were no government petitions signed, in the late 80s, the FBI’s assistant director Milt Ahlerich saw fit to shoot off a letter to Priority Records expressing outrage over the song ‘Fuck tha Police’ which was put out by NWA. In the letter he noted that “advocating violence and assault is wrong and we in the law enforcement community take exception to such action“. Over the years NWA found themselves not being allowed to perform that song at many of the venues because of police pressure. The one time they did in Detroit, 20 plain clothes officers rushed the stage to shut the group down.
MV Bill is an artist we should all know
Several years ago in 2004 a corporate MTV-like 2 day Hip Hop festival called Hip Hop Manifest featuring Snoop and Ja Rule was boycotted by a coalition of Brazilian artists including the enormously popular MV Bill who stated in a Stress magazine article “The organizers are not interested in our issues, or what we rhyme about, they just want to buy our legitimacy, and I have a moral commitment to uphold the history that has created hip-hop. I pity the black man who sells our history for a price.”
What was at stake was these corporate media promoters refused to reinvest the profits into the poor communities in the area and lower ticket prices to make the event more accessible. Many of the Brazilian artists gave up hefty paychecks and a chance to get serious international spotlight, but they felt strongly about the issue and held their ground. They also put a call out to Snoop and Ja Rule and other American rappers to recognize the injustice they were fighting and invited them to come spend time in the poor communities.
“We cannot allow ourselves to be seen simply as idols. Ever since I began creating hip hop, my dream was to show Black people that we could be free and break the shackles.” Snoop, isn’t this beautiful?”, is the question Sao Paulo rap star LF posted to Snoop in an open letter.
M-1 of dead prez who recently went to Gaza always represents for the people
These are just a few of the dozens of examples that could easily be cited to show the resistence and political nature within Hip Hop. From the anti-police brutality albums, put together by artists like Mos Def and Talib Kweli, to the legendary voter registration rallies in Harlem once put on by Sista Souljah to the Stop the Violence Movement started by KRS-One, to the Orphanage recently opened by Immortal Technique in Afghanistan to M1 of dead prez making a trip to Gaza to the anti-police brutality work done by groups like One Hood in Pittsburgh or Hip Hop Against Police Brutality in Texas, to Knaan having his song Raise the Flag be used in the World Cup to Invincible and Finale using their song Locust to make a full fledge documentary about gentrification in Detroit, Hip Hop doesnt give lip service to politics.
From the anti-war efforts put forth by numerous artists (over 200 songs have been recorded at last count) to the efforts around the Jena 6 with artist like Jasiri X doing a theme song. tireless work put forth by artists like David Banner, Nelly, and others in the aftermath of Hurricane Katrina to the recent efforts put forth by artists like Wyclef Jean, NY Oil, Mystic and many others to help bring relief to victims of the earthquake in Haiti, Hip Hop artists have proven to be a responsive. Pick a subject, Immigration, Domestic Violence, Gulf Oil Spill, you name it and Hip Hop has and is there. The reason being because there are always people in our communities who will resist and are down to fight for Freedom no matter what.
Currently, Hip Hop’s biggest challenge is to resist all the attempts to dilute and redirect its potential to spark meaningful social and political change in the face of oppression. This especially true for Hip Hop that makes its way into corporate backed mainstream enclaves. The corporate agenda is to reduce Hip Hop down to a meaningless disposable song and to reduce politics to a voting over catchy phrase or sensationalistic headline and scandal.
It’s no mistake that much of what I’ve written about has not been highlighted, celebrated, shown on TV or played on the radio. It’s not because people won’t find these acts interesting, newsworthy or popular. The end game is to lessen the influence of an artist and dumb down the audience so game can be run on us. That game of course is to sell us product and complacent ideology. The end game is to get Hip Hop to be used as a tool to drive consumerism vs activism and make the music and our people disposable entities to be discarded or conquered.
original article-July 18, 2006The crowd roared with approval and P-Diddy repeated his remarks to make sure his point was not missed.
I have this nagging question, that won’t go away regarding Mr. Sean ‘P-Diddy’ Combs. It’s the eve of the second annual Hip Hop Political Convention, so I’m in a political mind set and hence I keep asking myself; ‘Does anyone know what the hell happened to his Vote or Die Campaign and his organization Citizens for Change?‘
I mean I already know the obvious, he shut that shit down a while back and he’s been running around throwing lavish parties, doing Making The Band’ for MTV, he was in a play Raisin of the Sun’ and now he’s gearing up for his new album in October of this year.
On the surface, most people are gonna be quick to say, ‘Dude was phony and all his ‘Vote or Die’ campaign did was help sell him a bunch of T-shirts’. Others will say he was never really serious about politics in the first place and he was on some sort of ego trip when he jumped into Hip Hop and politics arena.
Maybe it’s me, but I don’t think it’s as simple as that I remember when Diddy spoke at the Patrick Lipert Awards in February of 2004, before he started Citizen For Change or launched Vote or Die, he caught everyone by surprise when he jumped on stage to accept an award and told the packed audience he wanted to ‘Get Bush’s ass out of office’.
Startled officials from the non-profit, non-partisan Rock the Vote organization who put on the event got nervous real quick and moved toward Diddy as if to hurry him up. I guess he realized that by making such an overtly partisan statement he could get RTV in trouble so he backed off just a little and tried to recast his remarks.
But then Diddy came back harder by talking about how Bush was a lousy President who failed to comfort grieving mothers who lost their sons to the War in Iraq. The crowd went nuts and Diddy restated his opening remarks about ‘Getting Bush’s ass out of office’. Nobody including myself thought we’d hear such biting remarks form Mr. Party Central aka P-Diddy directed at the president
After he left the stage I tried my best to get a copy of the remarks, but RTV held on to their copies and wouldn’t release them. Although there were a number of press outlets present including MTV, you didn’t really see or hear a lot of coverage regarding Diddy’s remarks. It wasn’t until several months later I got a tape of his speech
Which you can hear here:
In the meantime Diddy went out and started his Vote or Die campaign and showed up everywhere including the couch of Oprah to extol the values of voting. When I finally caught up with him, it was at the Democratic Convention that July. He was definitely passionate but avoided talking about his remarks about Bush when I brought it up. He kept saying that he was non-partisan and hadn’t made up his mind. It was like a mantra. I figured he was just being careful because Citizen Change was a non-profit and he didn’t wanna get hemmed up the way Russell did when he campaigned to end the Rockefeller Drug Laws the year prior.
Now after the 2004 election we all know and heard the blowhard talk show pundits like MSNBC Chris Mathews who tried to take aim at Diddy and claim that the youth/ Hip Hop vote never materialized. That was in fact a lie. The goal was to get 20 million people to the polls. More than 21 million showed up marking an increase by 11% of voters between the ages 18-25.
With respect to Bush’s opponent Senator John Kerry, the only demographic to vote for him in the majority and with record numbers was the Youth/Hip Hop vote. Sadly his spineless punk ass never bothered to show any gratitude. It was the older critics of the youth vote who voted for Kerry didn’t pull their weight in the last election
But back to P-Diddy. Here’s a guy that often states that he hates to fail. If he does have an ego, it’s one that pushes him to look and sound good at all times. I can’t understand how he just slide off into the sunset without a word. Regarding his campaign. That’s not a good look. Why not continue the momentum? Was it really about selling t-shirts? Was it really about jumping on a trend? If Diddy was so passionate and so much against Bush’s politics in 2004, why wouldn’t he jump at the chance to weaken the president’s grip in these 2006 midterm elections? Forget the ‘Vote or Die’ campaign; I just wanna know why he’s been so silent about any of these issues.
Sometimes I wonder if he pissed some folks off in high places who saw him as having the potential to really wreck some political havoc and as a result he got unceremoniously got shut down. I mean it’s not like P-Diddy has always been spiffy clean. There’s had to be few times he was ‘ridin’ dirty’. It’s hard not to when you get to certain levels in the music biz. It’s hard not to when you get high up there in politics. On certain levels in both these professions people play hard and they play for keeps. Positioning, market share and power are the end games.
With that in mind, how can I not put it past folks who roll in that infamous Neocon circle of Paul Wolfowitz, Richard Pearle and the rest of the gang that have all but hijacked the government and led us to War, to sit idly by when their position is challenged.
Think about it, if you were a high ranking political type trying to make power moves and you looked out your window and saw a guy like Diddy telling people to vote your ass out of office, you don’t think you wouldn’t dig up some dirt on him and shut him down and make him be quiet?
You don’t think you would find some sort of angle where you could literally make him an offer he couldn’t refuse? We’re talking about the music biz folks, where its always dirty. We’re talking politics here folks which has long been the dirtiest and grimiest business you can get into. Vote or Die had the potential to unseat some folks who many believe went out and stole a couple of elections and lied to us so we could be led us into a war for fictional reasons. In short the guys in power don’t play.
If you think this is far fetched, look at the vicious attacks that regularly go on during campaigns. Look at the Swiss Boat ads that sunk decorated war hero John Kerry. Look at how war hero Senator John McCain got taken out by the Neo-cons in their character attacks on him. Remember this was a guy who was a Prisoner of War during Vietnam and he stayed in prison and endured all sorts of torture to save the lives of his men.
When he ran against Bush in the 2000 primaries he looked perched to maybe win the GOP nomination, but Bush’s team took him out with the vilest attacks. Nowadays John McCain has totally changed his tune and wholeheartedly supports the president after he once proudly stood against him. He must’ve gotten some ass kicking to have changed up like that.
For a boisterous guy like Diddy to suddenly go silent, one can’t but think that something went down behind the scenes. Listen to his remarks in that February before the election. Ask yourself, how do you go from saying all that to not saying anything? The silence is glaring. The absence is more than noticeable. Diddy said he wanted to get Bush’s ass out of office and apparently, somehow, someway, somebody got his ass out of politics. How did that happen?
During the recent BET Awards, Diddy showed up to the press gallery about 20 minutes after boxing promoter Don King came through and lit up the place by telling everyone why George Bush is the greatest President ever and how he’s been real good to Black people.
Politics was on everyone’s mind when Diddy came to field questions and several reporters including myself and Andreas Hale of HipHopdx.com along with a woman from another newspaper who’s name I forgot, raised our hands to ask P-Diddy the 64 thousand dollar question; ‘Where did ‘Vote or Die’ disappeared to? ‘Do you agree with Don King and think Bush is a great President for Black people?’ etc etc
In typical BET fashion, the press monitor avoided picking anyone who he thought would ‘go there’ and instead chose three people who asked Diddy simple questions like ‘what kind of outfit he was wearing and how does he like working with Yung Joc’. He answered those three or four questions and bounced with the wind.
So anyway, P-Diddy involving himself in the 2006 election or politics in general is not be all, end all. This weekend in Chicago, there will be others who are fully prepared to engage that arena and they’ll stick I through no matter what. It’s like I said 20 years from now some of us will have grand kids and they’re gonna come across a video or an old Vibe Magazine cover or read about this campaign and they gonna have a few questions. It’d be nice if we one day got a full explaination.