Still Ruthless..The Inner workings of NWA..Intv w/ Jerry Heller

In this interview segment which originally aired Oct 21 2010, we sat down and chop it up with late Eazy E’s business partner and former NWA manager Jerry Heller who just released a book of his memoirs called ‘Ruthless’.

Not only does Heller meticulously detail the inner workings and all the behind the scenes dirt that went on with NWA, he also goes into great detail about the seedy music world of Rock-N-Roll’s hey day in the 60s and 70s where he played a key role. Make no mistake the music biz is definitely grimy.

In this segment we talk to Heller about the music biz in the hey days of Rock-N-Roll. Heller talks about all the key players that he came up with and rolled with including people like the late Bill Graham, David Geffen, Clive Davis and many more. He talks about how he actually was responsible for bringing Elton John to the US and giving him his first break.

Heller breaks down the rough and tumble tactics of old-time music guys and explains that while much of it was mob controlled and sometimes seedy ‘it was fair and that there were fast and hard rules that everyone played by’. He noted that all that changed and went out the window when Death Row CEO Suge Knight came in the game.

Heller talked to us about the importance of negotiating and striking good deals. It’s a key highlight in his book and during the interview he explained how and why Ruthless stayed successful while other small labels which actually sold more records like Delicious Vinyl wound up folding because of bad deals.

Eazy E w/ Jerry heller

Eazy E w/ Jerry heller

He explains the type of relationship he and Eazy E had and how each of them brought a certain style, flare and business insight to the table that allowed Ruthless to be one of the music industry’s most successful record labels. He explained the decision behind rejecting Eazy E’s initial offer to go into business 50/50. He felt that Ruthless should 100% Black owned and that he would work for Eazy. He described Eazy as his best friend and one of the smartest men he had ever met.

He also recounted how the pair first met. Heller said that Eazy offered Alonzo Williams of the World Class Wrecking Crew 750 dollars to introduce him. It was at this meeting that Eazy played a rough cut of the now classic record ‘Boyz in the Hood’. He described the song as Gill Scott Heron, the Last Poets, The Black Panthers and the Rollingstones all rolled into one.

Click link below to peep pt1 of our interview w/ Jerry Heller

Still Ruthless An Interview w/ Former NWA Manager Jerry Heller pt2

Click HERE to peep pt2 of our interview w/ Jerry Heller

In this segment Heller talks at length about the early rap scene in LA and how he got involved via Macola Records which housed West Coast pioneering acts like Egyptian Lover, LA Dream Team, World Class Wrecking Crew, Rodney O & Joe Cooley, Ice T and JJ Fad to name a few.

In this segment Heller talks about why he called NWA the Black Beatles which each player MC Ren, Ice Cube, DJ Yella, Dr Dre and Eazy E all holding down key roles. Cube was the chief lyricists, Dr was the beat maker, Eazy was the conceptualizer while Heller was the financier.

Lastly we talked at length about the crack game and the type of impact it had in the community and how it was reflected in NWA’s music.

In part 2 Heller opens up and airs it out about Ice Cube and refutes Cube’s claims about him not getting paid.  Heller breaks out some solid numbers and contractual breakdowns to illustrate his point. He also touches upon the situation he had with Dr Dre and Suge Knight when they formed Death Row Records.

Heller also detailed the situations that lead up to the group doing the song F—Tha Police and the reaction to it including the infamous letter from the FBI. Heller noted that they recently discovered that Al Gore’s wife Tipper Gore may have been a key reason that ominous letter was sent out.

We also talked about Eazy E’s visit to the White House where he sat down and met George Bush Sr in the aftermath of the FBI/ Police backlash. For Eazy it was brilliant marketing ploy.

Heller also laid out the circumstances behind the death threats Eazy E received and how it was discovered that he was on hit list by some Neo-Nazi-Skinheads. The FBI never bothered to inform Eazy that his life was in danger.  Heller speculates that it may have been because of the F– Tha Police song.

Heller talked about the relationship Eazy E had with the now defunct Jewish Defense League (JDL) and how he admired the group for their slogan ‘Never Again’.  In fact Eazy had plans to do a movie about the group.

Jerry Heller details the inner workings of NWA

nwa original-225We talked about the recent revelations of JDL members supposedly extorting money from rap artists including the late 2Pac. Heller claims he had no knowledge of that, but it was no secret that in the aftermath of the Suge Knight shake down incident where Eazy was forced to sign over Dr Dre, Michele and DOC, that Ruthless was protected by Israeli trained/ connected security forces.

Our conversation later turned to a brief discussion of Black-Jewish relationships in the music industry. Heller felt that the partnership him and Eazy formed was model one and that it helped build lots of bridges.

We concluded our interview with Heller talking about some of his upcoming projects including starting a new record label that focuses on Latino Rap and Music with a message

Click the link below to peep pt2 of our Interview with Jerry Heller

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Colorlines: Why We Need (Real) Gangsta Rap Right Now

This is a pretty good article penned by long time journalist Eric Arnold where he talks about the deliberate de-politicization of  rap and the rise of gangsta rap..It was in response to an erroneous article that came out a a couple of months back where the writer claimed gangsta rap had gone mainstream..-Davey D-

Eric k Arnold

The story is an all-too-familiar one: On Labor Day weekend, a Guatemalan immigrant named Manuel Jamines was shot in the head and killed by LAPD officers. The police claim the man charged at them with a knife, but at least one eyewitness says he was unarmed. The killing has inflamed long-simmering tensions between the police and immigrant and minority communities in Los Angeles, resulting in protests and arrests. Adding fuel to the trash-can fires are reports that the officer was involved in at least two previous shootings.

Jamines’ story comes as part of what seems an unending line of police violence against black and brown folks, from Oscar Grant in Oakland to Aiyana Stanley-Jones in Detroit to systematic racial profiling in Brooklyn. At a time like this, when calls for police accountability are rumbling from grassroots activists coast to coast, our movement for justice needs a soundtrack. It needs music created from the same inner-city streets whose residents have borne the brunt of police brutality since before Huey P. Newton and Bobby Seale formed the Black Panther Party for Self-Defense. It needs gangsta rap.

Some critics have hastily written gangsta rap’s obituary. But in 2010, the genre remains a commercial force; what has declined is its gravitas as protest music. Once outspoken on the subject of police violence, in recent years, hip-hop broadly has been all but silent on politics of any sort, at least from a mainstream perspective. Back in the days, gangsta rappers faced off against label executives in corporate boardrooms over freedom of speech; now they entertain marketing meetings over energy drink endorsements.

This change didn’t happen overnight. And it didn’t happen on its own. The de-fanging of gangsta rap has paralleled the corporatization of hip-hop—and the resulting de-politicization of what was once an inherently political art form.

continue reading this article over at Colorlines.

Q-Tip and the Roots Redo the NWA Classic ‘Straight Outta Compton’

NWA helped break the stranglehold New York had on Hip Hop. They snatched the spotlight in the early 90s and made Compton Hip Hop's Mecca

I’ve always loved NWA‘s classic track ‘Straight Outta Compton’.. When it dropped back in ’88 it clearly captured the energy and urgent vibe at the time. NWA had broke on the scene and wanted West Coast rap to be heard and respected. At the same time they wanted to shatter all the myths about LA being a place with palm trees and beaches. LA was about hardcore gang bangers, vicious police and cats from Palm tree lined neighborhoods with a fearless attitude. That song and video definitely did the trick in terms of putting all the above mentioned on the table..

http://www.youtube.com/watch?v=DJ0_HYuR_fk

Over the years various groups have attempted to recreate that energy by doing their own versions of the song.  One of the best parodies was highlighted in the movie Cb4 featuring comedian Chris Rock.. Y’all may recall when he dida video for his fictional gangster rap group ‘Straight Outta Locash

http://www.youtube.com/watch?v=mwc4gCVXTcM&feature=related

Q-Tip

Over the past couple of years the Roots have re-done the NWA songs when doing tribute sets.. Usually its been Black Thought and Skillz holding down the vocals.  This past weekend tin Chicago, the Roots took it new heights when Q-Tip from Tribe Called Quest hit the stage to join Black Thought with an incredible rendition. Also on the mic doing Eazy lyrics was guitarist Captain Kirk Douglass. Later on in the show Erykah Badu graced the stage..I wish sometime in the future the Roots do a special NWA project with guest emcees like Q-Tip as well as original members and maybe even go on tour..

Since we’re talking about Q-Tip you should know he’s currently producing some tracks for and with Kanye.. He’s also producing tracks for band member Phife Dawg‘s up and coming solo album. He’s also doing stuff for Mary J Blige

Here’s a couple of angles of the group ripping this NWA classic. The first one is an up close angle at the start of the song. The second video is the longer more complete version..which unfortunately missed the beginning.

http://www.youtube.com/watch?v=OYiBXvSUb40

http://www.youtube.com/watch?v=dFyC1b-sin0

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