Meet Sweden’s Dancehall Producer, Creator of Vybz Kartel’s Hit “Summer Time”

Meet Sweden’s Dancehall Producer, Creator of Vybz Kartel’s Hit “Summer Time”Whether you’re in Jamaica, Canada or Japan, when the piano chords of Vybz Kartel’s“Summertime” chime in, it tingles your warmth senses and immediately transports the listeners into party mode. One would never expect that the catchy Dancehall anthem, recorded by one of Jamaica’s premiere artist, was birthed from a studio in Sweden, over 5000 miles away.

As one of the biggest hits in 2011, along with Popcaan’s “Ravin”, the “Summertime”Riddim, infectiously entered the party season, dominating charts local and internationally as well as receiving a nomination at the 2011 Soul Train Awards for “Best Caribbean Performance”. In Jamaica alone, “Summertime” and “Ravin” saw accolades from Youth View Awards, Jamaica Star, OutaRoad.com and Jamaica Observer.

All this popularity and yet, the producer, remains an enigma, a foreigner to the shores of Jamaica, but an architect in riddim creation.

His name is Andreas Nilson, and he is the force behind Adde Instrumentals. Composing such riddims as Summer Wave, Corner Shop (with JR Blender), BBQ, Happy Daze, Sweet Sounds (with So Shifty), building riddims for singles like Vybz Kartel’s “Bike Back” “Bubble Hard” and Mr. Vegas “God On My Side”Adde Instrumentals has contributed gingerly to the sound of Dancehall within the last few years.

From childhood, Adde was destined for music, receiving his first piece of equipment (a synth/sampler) at the age of seven. By highschool, Adde was producing tracks and deejaying receiving his Audio Engineering Diploma in 2005.

Adde InstrumentalInfluenced by many genres of music, Adde’s early productions range from RnB and Hip Hop to Pop and House, with a passion for Dancehall always present. As his strengths in production grew, so did the diversity of his creations. While parring with a few local Dancehall acts, Adde began his dance with riddim production, and it instantly grew into success.

Those first dancehall riddims later became the backdrops for Vybz Kartel’s “Bike Back”and “Open Up”, although it was instant connection for Kartel lyrics and Adde’sinstrumentals, the process didn’t go so smoothly. Adde explains, “With all the scamming going on, when I received my first contact from Vybz Kartel, I thought it was a joke. He even sent me a rough demo of “Bike Back” but the vocals were so distorted I STILL thought it was a joke. It wasn’t until Kartel sent me a video message to prove it was him. After that, well you listen to the results!!!”

Having “Summertime” become such a huge success, Adde Instrumentals has been working feverishly to keep up with the fast pace of Dancehall. Currently composing the“Bad Gal” riddim for Hapilos Productions with such talent as Chino, Di Genius, Demarco, RDX and Stylo GAdde Instrumentals has a busy year planned for 2013, as he conquers infusing authentic sounds into a foreign land.

Connect with Adde Instrumentals on Twitter @AddeProd on Facebook /AddeMusic

Source:http://thatish.com/2013/03/14/swedensdancehallproducer/

 

Today is Bob Marley’s Birthday-A Man of Love Placed Under CIA Surveillance

Bob MarleyToday February 6th is Bob Marley‘s birthday… It’s interesting to note that as folks will lionize Ronald Reagan who shares the same birthday, they will overlook the fact that Marley not Reagan was the one under surveillance by the CIA. Reagan was all up in the Iran Contra Scandal, yet our government   considered Marley and other Rastas threatening..His message of love which was empowering to folks was in conflict with those who did not like to see bridges being built and communities coming together..  Many folks don’t realize this.. and when you take this into account, it may shed some light as to why Marley in spite having world-wide popularity, never really had a home on Black /Urban radio here in the US….

Below is a cool article from  http://www.greenleft.org.au/node/48516  on Marley and him being surveilled.

The Bob Marley songbook is bursting with eloquent social protest, exposing the poverty, oppression and injustice endured by inhabitants of the “developing” world.

“Burning and Looting”, for example: “This morning I woke up in a curfew. O my God I was a prisoner too … Could not recognise the faces standing over me, they were all dressed in uniforms of brutality.”

Or from “Slave Driver”: “Every time I hear the crack of a whip, my blood runs cold. I remember on the slave ship, how they brutalise the very souls. Today they say that we are free, only to be chained in poverty … slave driver catch a fire so you can get burn, now.”

This is a message as relevant today as it was when Marley died from cancer 30 years ago in 1981 at the age of 36.

“Check my life if I am in doubt,” advised Marley to any who doubted his authenticity.

The Jamaican roots reggae superstar of the 1970s was never motivated by fame or money, though Marley did acquire these things when reggae went global under his stewardship.

These materialistic trappings were regarded by Marley as the “tools of Babylon”, which he would use to raise consciousness and spread a revolutionary message.

As a “mixed-race” child of rural Jamaica and, later, the working-class Trenchtown district of Kingston, Marley experienced the inequities of the post-colonial system.

Selling records and filling concert halls was never a vehicle for the gratification of Marley’s ego. It was for the transformation of a conflict-ridden world divided between exploiters and exploited to a new order of peace, harmony and understanding — “one love”.

At times, Marley encountered temptation and sometimes strayed into the path of excess.

Yet, as Chris Salewicz’s definitive 2009 biography Bob Marley: The Untold Story shows, Marley remained uncorrupted by the music business.

Although Rastafarianism (like any religion) contains its fair share of irrational dogma, Marley’s emphasis was on “redemption” in the here and now by toppling “Babylon” (i.e. the racist imperialist system of oppression).

“If you know what life is worth, you will look for yours on earth,” sang Marley in “Get Up Stand Up”.

Like “liberation theology”, a strand of radical Christianity that made a welcome contribution to the anti-imperialist movement in Latin America, Rastafarianism is compatible (in many respects) with the secular struggle against capitalism.

Marley’s dissent made him a target for surveillance and harassment.

His militancy was too much for the US intelligence establishment, which regarded Marley and other Rastas, such as fellow Jamaican reggae musician Peter Tosh, as dangerous subversives.

“Rasta”, as Bob defiantly stated in “Rat Race”, “don’t work for no CIA”.

The dramatic implications of this line can only be understood when viewed in the context of Jamaican politics.

Following the “loss” of Cuba in 1959, Washington sought to contain the spread of genuinely independent Caribbean regimes.

By the mid-70s, Jamaica was in a state of unofficial civil war. Two political parties, each equipped with armed gangs, battled for control of the island.

On the mainstream left, there was Michael Manley’s Peoples National Party (PNP), which held government.

It was opposed by the deceptively-titled Jamaican Labour Party (JLP) under Edward Seaga, whose funding came from the domestic Jamaican “white” elite and foreign corporate interests involved in the mining industry.

The US government interfered to help fuel the political violence. It openly aimed to install Seaga (or “CIA-ga”, as he was widely known) in power.

Manley’s offences had been to pursue greater state control over the country’s plentiful bauxite reserves and engagement with Cuba’s revolutionary government.

The CIA, through the JLP, conducted a campaign of destabilisation against the Manley government.

Marley refused to be directly associated with Manley’s 1976 re-election campaign, but he did identify with Manley’s anti-imperialist policies.

At Manley’s request, he agreed to perform at the “Smile Jamaica” concert organised by the PNP.

In apparent retaliation, a squad of four JLP-affiliated hit men tried to assassinate Marley and his wife Rita on the eve of the concert.

Rita, with blood streaming from her scalp, only survived by playing dead at the wheel of her shot-up VW.

Marley’s manager stepped into the line of fire just as the gunman opened up, taking four bullets.

A ricochet struck Bob in the arm after grazing his chest. “If he had been inhaling instead of exhaling”, notes Salewicz, “the bullet would have gone into his heart.”

Two days later, the injured Marley performed at the concert.

A few days before the attempt on his life, Marley was visited by an official from the US embassy.

Salewicz said the official “advised the singer to tone down his lyrics, and to stop aiming at a white audience in the USA; if he didn’t, he would find his visa to enter America had been taken away”.

Whether the CIA ordered the assassination attempt or not, it is beyond doubt that the shadowy, murderous organisation was supporting right-wing elements in Jamaica that wanted anti-imperialists such as Marley dead.

There were thousands of JLP/CIA-orchestrated political killings during this period.

Having terrorised Jamaica for years, Seaga took power in 1980, severing relations with Cuba and implementing neoliberal policies.

Embracing neoliberalism, Manley returned to office with US backing in 1989.

After a succession of “business-friendly” governments, most of the island’s population remains mired in poverty.

For people of the left, Marley should be remembered as a comrade in the common struggle.

Although he mistrusted Jamaican “politricks” (with good reason) and was never an orthodox “socialist”, Marley was nothing if not a vehement critic of the global capitalist “Babylon System” — which he memorably described as “the vampire, falling empire, sucking the blood of the sufferers … Deceiving the people continually”.

http://www.youtube.com/watch?v=gQb7Fk3Vikw

http://www.youtube.com/watch?v=gQb7Fk3Vikw

Don’t Forget..Hurricane Sandy Wrecked Havoc on More Than Just NY..

Haiti has been hard hit

By now its obvious to all of us that Hurricane Sandy did some serious damage to New York City. We pray for those suffering and we pray for those 11 people reported dead in the aftermath of this huge storm. At the same time, while all our attention is focused on New York, there are a few things to keep in mind.. First NY has vast resources and lots of contingency plans. The eyes of the world is upon her and thus as bad as Sandy has been the path to recovery will be certain and it will be swift.

What many of us including folks in NY may want to do, is note that natural disaster know no boundaries and thus our collective attention should be on all those who have been impacted by Hurricane Sandy. Her fierce winds and waves wrecked havoc in Haiti, which was already beleaguered with hundreds of thousands of folks still living in tents 2 years after the 7.5 earthquake. Sandy wrecked havoc in Cuba, Dominican Republic, Jamaican and throughout the Caribbean. More than 60 people have been killed in those neighboring countries. Haiti has lost her crops.. Over 200k are left homeless with far fewer resources to rescue and restore what was lost..

I wish here news outlets would be more mindful of this when speaking about Sandy.. It was a storm of immense proportions and devastation..Sadly what we see taking place are stories about when and how the stock exchange will open and what the cost will be.. I hope the rest of us recognize the humanity in others beyond  our borders and the narrow framing of corporate news outlets..We can’t say we recovered until the folks south of us have recovered. All lives our precious, not just ours in the US..