Eternia real name Silk Kaya is a dope emcee from Toronto, Canada who’s been holding it down for a minute.. With each song and each performance she brings 100% and has proven to be a force to reckon with.. We encourage you to check out her website http://www.urbnet.com/artist-eternia.asp
Here’s an excerpt from an interview she did a few years back from Hip Hop Canada
HHC: Nice! Let’s get into more background information that we haven’t touched on before. To begin with, why rap? What kind of influences brought hip-hop into your life?
Rap wasn’t something I consciously ‘chose’. I think most people that are talented hip-hop artists, that shit just was natural. I was introduced to hip-hop by my older brother when I was around 8 years old, in the late 80’s. I missed a lot of 80’s history because I’m young, but yeah… it was Public Enemy, 2 Live Crew, Maestro, LL Cool J… the mainstream rap at the time. Then I got into, of course, the Native Tongues thing, the golden era… the 90’s indie scene (Rawkus, Fondle ‘Em, Fat Beats, etc.). That’s what really raised me and my craft mostly. I feel like this has been said by a ton of artists before… [Laughing] I am no different. But yeah, I’ve been spitting since I was around 8 or 9… documented, on videotape, all that. It was natural, I just never stopped spitting.
Below is another interview Eternia did for the The F Word Media Collective with hosts Meghan Murphy, Ariana Barer, and Ellie Gordon-Moershel look at the changing circumstances and representations of the female rapper over the decades. Why are women so underrepresented in hip hop? Its a great program.. Eternia’s interview comes in around 25 minutes into the program
This is when doing a rap battle and popping off on the racial and homophobic tip goes wrong… Here a cat is going off making disparaging remarks and talking greasy about his opponents sexuality and him being a Native .. He says something about defecating your race.. Apparently enough was enough and dude gets socked by a bystander… Not sure how sexual and racial insults showcase skillz..
I met Somalian born rapper Knaan about 3 or 4 years ago in his current place of residence Toronto. We chopped it up back then and he assured me that it was just a matter of time before the US Hip Hop scene would open its arms to rappers from other shores. At the time that seemed far-fetched because even though we all know that Hip Hop is a worldwide phenomenon, very few heads in the states can cite more than 3 or 4 artists from neighboring Canada much less from overseas. Ask folks to name artists from Africa and the conversation is all but over…
On one hand we should not be surprised. After all, Hip Hop always reflects the mindset and cultural mores of the people and places that embrace it.Hence to the degree we can hardly name off any of the Provinces in Canada it should not be a shock that we can’t name off any of her artists.
Nowadays Knaan is increasingly becoming a household word here in the states. He’s already a superstar overseas. For many he’s a breath of fresh air who reminds us just how flavorful good Hip Hop can be. His creativity and overall conversation raises the bar. His global perspectives reminds us that this is a big world and our country is just a small part of it..
We caught up with Knaan during his visit at SXSW in Austin, Tx and chopped it up with him. We talked about his new album Troubadour which is a monster and what he was trying to get across. We talked about the challenges of knocking down doors in the US. Knaan quoted Saul Williams by agreeing with the assertion that Hip Hop has been republican in the past 10 years. Its been about money, closing its eyes to the realities outside its immediate borders and very unwilling to change.
He sees things changing for the better and that’s a good thing.
We covered a variety of topics including the recent move by Homeland security to scrutinize Somalis living here in the US as possible terrorists. We talked about the whole Somali pirates thing and discovered that what we been fed by mainstream news is a big lie. Knaan explained that the so called pirates are actually more like Coast Guards. They been patrolling the waters and stepping to foreign vessels that look at the un-centralized government in Somalia and hence feel they can do pillage the natural resources like over the top commercial fishing and illegal dumping of hazardous wastes. The Somalia pirates have been stepping to vessels for violating their water space and have taken the matter up to the UN only to have the main violators France along with the US veto any resolution..
We talked about the make up of Knaan’s album and what it was like working with Maroon 5’s Adam Levine and Hip Hop legend Chubb Rock. He explained that Levine was a real cool and basically came through and laid down vocals for free. He just wanted to show respect and appreciation for the music.
He talked about admiring Chubb Rock’s rhyme flow and how it was an honor to have the rapper turned school teacher to come through and lace him up.
Knaan also talked about his rhyme influences which actually come from the Rhythmic Poets of Somalia. These wordsmith have been around centuries before the first rappers in the Bronx
Finally we talked about the state of the world and how US and US Hip Hop fit into things. Knaan noted that the US is now going a period where many of its citizens are feeling vulnerable and at ease. he noted its the same type of uneasiness that many throughout the world feel on a day to day basis. Our economic hardships are routine for the majority of the people around the world and now that type of situation is on our shores and we will have to not only rise to the occasion be much more aware of what the rest of planet earth is experiencing.
Listen to the Breakdown FM Interview w/ Knaan by clicking the link below: