Paying Tribute to Three Pioneers Rammellzee, Mr Fantastik and Gary ‘Starchile’ Shider-RIP

Got word yesterday that legendary graf writer and emcees Rammellzee passed away… Not sure why or how, but for Hip Hop folks it was the second death in two weeks. People in the Bay Area are still mourning the death of pioneering B-Boy Mr Fantastic aka Melvin.. of the Royal Rockers He died of a sudden heart attack at age 41  in the arms of his oldest daughter  His wake was yesterday as we got word of Rammellzee passing..

Longtime B-Boy Bas-1 sent this out about Mr Fantastik

Melvin McCullough aka Mr.Fantastik of Berkeley, CA whom was head of the crew ROYAL ROCKERS passed away Saturday June 12th.

He was a hiphop icon and pioneer here in the bay area of northern california. Partner’s with the Incredible Rubberman Damon Frost and definitely influenced the early bay area hiphop scene especially through dance (mainly poppin or wutever u wanna call the robitic dance movement that includes waving tuting and slides). Please find it in your hearts as another fellow dancer of our culture has fallen and the family needs assistance in arrangements.

please send donations via paypal to:
mrcm9@sbcglobal.net

We also lost Gary Shider aka Starchile a couple of weeks ago. He was a long time fixture in George Clinton‘s Parliament/ Funkadelic. Shider was the brother who wore the diapers who got down on the guitar. He was recently inducted into the hall of fame.

http://www.youtube.com/watch?v=27oJkTiEp34&feature=related

As for Rammellzee here’s what was written about him in wikipedia

Rammellzee (or RAMMΣLLZΣΣ, pronounced “Ram: Ell: Zee”, born 1960 in Far Rockaway, Queens, New York), was a graffiti writer, performance artist, rap/hip-hop musician and sculptor from New York. His death was announced on 29th June 2010.

Rammellzee’s graffiti and art work are based on his theory of Gothic Futurism, which describes the battle between letters and their symbolic warfare against any standardizations enforced by the rules of the alphabet; his treatise, “Iconic Panzerisms”, details an anarchic plan by which to revise the role and deployment of language in society. Rammellzee is often identified as an artist apart of the Afrofuturism canon; Afrofuturism is identified discourse concerned with revisioning racial identity through the tropes of science fiction and fantasy narrative or aesthetics.

He was also instrumental as one of the original hip hop artists from the New York area who introduced specific vocal styles which date back to the early 1980s.^{[citation needed]} His influence can still be heard in contemporary artists such as The Beastie Boys and Cypress Hill. His song “Beat Bop” was featured in the film Style Wars.

Discovered by a larger audience through the 1982 cult movie Wild Style by Charlie Ahearn, his fame in graffiti circles was established when he painted New York subway trains with Dondi, OU3, and Ink 76, and doctor Revolt. Rammellzee was also a member of the Death Comet Crew, with Stewart Albright and Michael Diekmann. In 1988, he and his band Gettovetts recorded the album “Missionaries Moving.” In 2003, Rammellzee performed at the Knitting Factory in New York with the newly reformed Death Comet Crew; subsequently, Troubleman Unlimited re-released recordings made by DCC between 1982 and 1984; additionally, their single for “Exterior St.” was featured on the compilation, Anti-NY, with contemporaries, Ike Yard, Sexual Harassment, and Vivian Goldmann, among others. In 2004, he released his debut album Bi-Conicals of the Rammellzee, produced by Gomma Records. Rammellzee also performed at Knitting Factory with guitarist Buckethead several times.

His artistic work has been shown in art galleries throughout the US and Europe. Currently, Rammellzee’s Letter Racers, and other Noise includes artistic works by individuals mostly identified with their musical contributions.

In a recent interview, he stated that his name is derived from “RAM” plus “‘M’ for ‘Magnitude’, ‘Sigma’ (Σ) the first summation operator, first ‘L’ – ‘longitude’, second ‘L’ – ‘latitude’, ‘Z’ – ‘z-bar’, Σ, Σ – ‘summation’.” He now performs in self-designed masks and costumes of different characters, which, as he states, represent the “mathematical equation” that is Rammellzee. On the basis of his “Gothic Futurism” approach, he sometimes describes his current artistic work as the logical extension into a new phase which he calls “Ikonoklast Panzerism.”

Rammellzee makes a cameo appearance near the end of Jim Jarmusch‘s 1984 film Stranger Than Paradise.

http://www.youtube.com/watch?v=PPnmyLaNvvw&feature=player_embedded

http://www.youtube.com/watch?v=lz24D-UyZwE&feature=related

http://www.youtube.com/watch?v=CFFMzSRhmP8&feature=related

http://www.youtube.com/watch?v=lElss5eCR2s&feature=related

Good Bye Mr Fantastik, Gary Shider and Rammellzee May you all rest in power..

May peace be onto to their families..

Return to Davey D’s Hip Hop Corner

Coundown to the Oscar Grant Vedict/ Why Are Police beating Our Kids?

Click HERE to listen to Breakdown FM podcast

Click HERE: http://bit.ly/9IlXCm

Breaking News Update Wed June 30 2010:

Judge has taken 1st degree murder off the table. Jury will choose from 2nd degree murder, voluntary manslaughter or involuntary manslaughter… Closing arguments will start tomorrow…Mehserle’s lawyer wanted jury to choose either murder 1 or acquital. Many speculated getting murder1 would be difficult.

As the historic Oscar Grant trial comes to a close in Los Angeles we wanted to share a crucial update as to what is going on in the trial. For those who are unaware, for the first time in the history of the state of California, a police officer (Johannes Mehserle) was brought to trail and charged with murder after shooting and killing someone while on duty.

An unarmed, completely subdued Grant was shot in the back as he lay face down on New Year’s morning ’09 in front of hundreds of people on a BART subway station in Oakland. Mehserle claims he thought he reached for his taser instead of his gun. It’s a story the community wasn’t and has never brought especially when it was revealed that Mehserle was heard shouting “I thought he had a gun’.

If he had a gun, then why reach for your taser?

The community became even more enraged when it was discovered that moments before Grant was killed, Mehserle’s  partner Tony Pirone who was recently fired had called Grant a ‘bitch ass nigger’ before he was shot.

The community was even more enraged when it was discovered that Mehserle just six weeks earlier in an unprovoked attacked had severely beaten a 41-year-old Black man named Kenneth Carrethers after he was overheard complaining about how inefficient the police were at stopping crime…

We caught up with Minister of Information-JR who is the associate editor of the SF Bayview and heads up the Block Report Radio. He’s been down in LA covering the trial even after he and several other Black men under 40 were kicked out of court for a variety of un-related reasons. In our podcast JR explains why this has been going on in what many are saying is a highly biased court.

Expert witness Greg Meyers said there was no excessive use of force during the Rodney King trail. Of course he is defending Johannes Mehserle

In this interview JR talks about some of the ‘expert’ witness that have come forward in defense of Mehserle including a former LA police captain Greg Meyer who claimed that Grant when shot was resisting arrest. It’s an outlandish conclusion considering Grant was shown completely restrained with the larger Mehserle sitting on his back. however one should not be surprised, considering it was Meyer who sat on the witness stand during the Rodney King trail and claimed there was no excessive use of force.  I guess the estimated 30 thousand dollars paid to Meyer didn’t hurt when giving his testimony.

We also spoke to JR about the media blackout on the case especially in the LA area and offer up some reasons why this is happening.

In the latest update another expert witness is claiming that Mehserle was so stressed out that he became temporarily blind which is why he shot Grant. What’s taking place at this trial is unbelievable.

Today June 30th the judge will be meeting with lawyers to discuss what the options are for jurors. Mehserle’s high-priced lawyer Michael Rain is pushing for an all or nothing ruling. In short either convict him of murder or acquit him. The prosecutor wants the jury to have options so Mehserle doesn’t walk.

Sadly the judge on the trial Robert Perry has history of siding with the police as was evidence during the infamous Rampart Scandal in LA when he let the cops off the hook.

Also as we speak Oakland police have been planting seeds of fear in the community by warning people of impending riots. Last night KRON 4 reported that as much as 21 thousand national guards are on alert and ready to move in on Oakland. All off vacationing officers have been called back into the city with police as far away as Oregon ready to join in.

Why Are Police Beating Our Kids-What Should We be Doing?

In pt 2 of our podcast we sat down with community activist and former Seattle mayoral candidate Wyking Allah and  Paradise Gray of X-Clan and One Hood out in Pittsburgh to talk about the recent rash of police brutality incidents where children as young as 7 have been the victims.

Wyking does an excellent job putting things in historical context and offering solid solution for communities to follow. He noted that much of what he suggested were key tenets on his platform for mayor.

Paradise Gray updates us on two key cases in Pittsburgh. One involves the beatings that took place last fall when officers stormed the University of Pittsburgh campaus looking for anarchists. Unsuspecting students were tear-gased, beaten and arrested. There was major investigation with the police being found in the wrong.. The other incident involves honor student Jordan Miles who was beaten and had his dread locks ripped out his head by a rogue group of martial art expert police dubbed the ‘Jump Out Boys‘.

Gray also speaks about the incident of Pamela Lawton who had a police officer stick his gun in the face of her crying 7 year old after she was pulled over for a traffic violation.

Like Wyking, Paradise lays out a number of solutions for us and our communities to follow.

Click HERE to listen to Breakdown FM Podcast

Click Here: http://bit.ly/d27VNG

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Thembisa Mshaka: Forgiving Chris Brown

Forgiving Chris Brown: Re-post & Update

By Thembisa Mshaka

Peep the Breakdown FM podcast we did with Thembisa on this topic http://bit.ly/axcjDL

I am on record as being one who advocated for the forgiveness of the multi-talented, multi-platinum Chris Brown as far back as February 2009, when the most media and much of the public wanted to banish and boycott him forever. His missteps with the media in the aftermath turned the fury way up, as he looked far from remorseful—especially in contrast to Rihanna’s composed, deliberate testimony on 20/20. I understand the fury; I was furious about his assault of Rihanna on Grammy Night 2009 too.

But this rigid, visceral approach to such a layered issue is neither humane nor realistic. Endless castigation does not break the cycle of relationship violence. If we want young men, especially young men of color, to stop abusing women, we must condemn the behavior, and support the full rehabilitation of the person. Ron Artest has shown us that therapy can help anyone rise to become a champion in work and in life. Chris must seek help from psychological professionals, spiritual counselors, and anger management experts. Chris is going to be atoning and reconciling for years to come. That process is well underway.

The part we as consumers, fans, and members of the media can support him with is the revitalization of his career. Chris Brown is a gifted young performer who deserves to make a living at what he is passionate about. BET provided Chris Brown with the opportunity of a lifetime on the 2010 BET Awards: to pay homage to his mentor Michael Jackson with a powerful medley of the King of Pop’s hit songs and signature dance routines. True to form, the media looked for the worst from a heartfelt and otherwise technically flawless performance–until the part where Chris broke down emotionally in an effort to sing “Man In The Mirror”. His sincerity was questioned. His tears, snot and hoarse voice were called ‘staged’. Just another signal that the path of least resistance, further vilification of the young Black male, was being tread yet again. A brother can’t even emote!

But the audience on their feet at the Shrine and millions on couches across America knew that what he was feeling was very real: the overwhelm of Michael passing and finally being able to commemorate his idol’s life; the passage of the hardest of his own 21 years; the energy of the room singing when he could not, crying with him, releasing with him. This is what it means to be human. This collective catharsis was an important step in the healing process for everyone who empathizes with Chris and wishes him well. It’s exactly why that moment was the one everyone was talking about the morning after and well into this week.

The crime will not be forgotten, but the man needs to be forgiven.

We say we want him to take a look at himself and make a change; change is hard. Let him do it.

I’ve re-posted my essence.com commentary for reference. I look forward to your comments.

As posted by essence.com July 24, 2009

Thembisa S. Mshaka

This past February, Chris Brown shocked the world. In the wee morning hours of the Grammy Awards, he brutally assaulted his then-girlfriend Rihanna. On June 22, 2009, Chris Brown pled guilty. The judge handed him his sentence, convicting Brown of felony assault, mandating him to keep his distance from Rihanna (50 yards for five years), and to serve 5 years of probation including 180 days of community labor. Brown was also ordered to enroll in a domestic violence counseling program. Brown’s face registered remorse and relief that day in court; looked like it dawned on him how close he came to prison time. But was he truly sorry?

It was hard to tell. Brown’s camp released a tepid statement: “Words cannot begin to express how sorry and saddened I am over what transpired. I am seeking the counseling of my pastor, my mother and other loved ones and I am committed, with God’s help, to emerging a better person.” Meanwhile photos of the 19-year-old partying hard in Miami contrasted those of a sorrowful Rihanna in the days that followed. His silence was as palpable as his absence from television and radio. Suddenly the freckle-faced crooner resurfaced and sent a video message to the world while bowling with rapper Bow Wow on May 26: “I’m not a monster… I got a new album droppin’.” Five months after his love quarrel-gone-awry, Brown released another video apologizing: “I take great pride in me being able to exercise self-control and what I did was inexcusable.”

Was his gesture too little too late? Not only for his victim, Rihanna, but for his fans and critics? I conducted an informal poll on Facebook and Twitter. While the media was castigating him, I blogged [hyperlink to original post here] back in February that the public was too quick to dismiss him and predict his career’s end. That compassionate condemnation was in order, not excommunication.

Perhaps the apology is a hard pill to swallow because Brown seemed so cavalier after the debacle. Judging by the many responses I received, I gleaned that his silence, while understandable at the advice of counsel, allowed the negative perception of this young man to fester into the selling of T-shirts emblazoned with his image and a striking slash through his face and dubbing his namesake a slang term synonymous with a “beat down” as in “Don’t get Chris Brown-ed.”

The Twitterverse had much to say about Brown’s remorse. “Why not release the video the day after the verdict?” asked one Tweeter. Another said Brown’s apology would have been deemed more sincere and set a strong example to his young fans about facing consequences if he’d done so immediately after the final verdict. Some believe his public remorse opens the door for fans to begin liking him again with one female tweeter professing: “Chris Brown, I love you more than ever.” But it was a male respondent who expressed the optimism that forgiveness should render: “He’s young enough to change.”

Sure, the execution could have been tighter, but I challenge anyone to recall an apology that felt smooth as silk following an egregious action. Taking a slice of humble pie and expressing remorse is usually awkward and delayed, requiring time. Reconciliation takes patience and work and Brown has taken his first step. Some might argue that Brown’s timing is off, but I believe an apology has no expiration date. Brown deserves forgiveness. What if Chris Brown was your son, nephew or brother? Assuming a zero-tolerance policy on abuse is fine, but judging someone unfairly and withholding support can interfere or jeopardize the healing process and ultimately redemption. We can stand against violence by looking its perpetrators in the eye and demand that they be and do better, but remember, it’s never too late to choose forgiveness over judgment.

Thembisa S. Mshaka is a 17-year entertainment industry veteran and author of the mentorship and career guide, Put Your Dreams First: Handle Your [entertainment] Business